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Welcome to The Problem Club, where logic takes a holiday and wit is the law of the land. In this delightful collection of early 20th-century comic tales by Barry Pain, twelve eccentric gentlemen gather regularly in an upscale London club to tackle bizarre, imaginative challenges—each one a “problem” designed to confound, amuse, and showcase their cleverness.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. The zenith of Empire is bookended by two catastrophic wars that slaughter vast swathes of humanity. And yet authors manage to record and create fragile libraries of humanity, its talents, its dreams and increasingly its nightmares.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

In this volume our authors explore the terrors of the mind rather than the horrors of reality, although with their pens the difference makes little difference. We twist this way and that as their talents shape our path towards endings of the nerve-shredding kind.

The diary is that most intimate of journals, of records. Within its pages the writer records and gives expression to their thoughts, their feelings, their emotional state on all the things that make up and surround them in this world. With authors of the calibre of Bulgakov, Woolf, Tolstoy, Twain and many others this volume explores characters whose lives seem dominated by these diaries, and the events that unfold are both compelling and literary journeys into the very personal and intimate side of their characters’ lives.

The Modern Age is one of information overload. Bombarded, surrounded, and battered by facts, figures, opinions and seemingly whatever else comes out of anyone’s head from all directions at all hours of the day and night. It’s exhausting. In the pens of such luminaries as Henry James, E M Delafield, C E Montague, Charlotte Perkins Gilman and many others we connect with old fashioned media from publishing and advertising to telegrams and radio and everything in between in ways that are surprising, enlightening but always entertaining.

Eliza was the first volume of the Eliza Stories by Barry Pain (1864-1928). It was published in 1900 and was the first of these stories that appeared in cheap editions and were sold on railway bookstalls. The stories were hugely popular and made Pain's name. Although the book is titled Eliza, it is her husband who is its comic hero.

Loss in any form seems to burden us with more weight than anything that can possibly be gained or learnt from. The loss of a person, a loved one, is often overwhelming. Lives so interwoven that the severing or loss of one life leaves the other weakened, unable to function for some time. Recovery comes in a myriad of forms but is usually debilitating, slow and, in the end, we are not as whole as we once were.It is a subject that authors return to again and again.

A pompous and pooterish city clerk with social pretensions relates anecdotes of suburban life in Edwardian England, as he and his patient and long-suffering wife, Eliza, deal with various crises and contretemps—including the vexed question of visiting cards; a malfunctioning music player; the mistreatment of the narrator’s hat; a mushroom (or toadstool) in the front garden; and the ongoing struggle to balance the household accounts …