Resultado de "Douglas Stuart" em Todas as categorias

Glasgow, 1981. A cidade está morrendo. A pobreza, aumentando. A esperança, desaparecendo. Agnes Bain sempre esperou por mais. Ela sonhava com coisas grandiosas: uma casa com entrada particular, uma vida confortável. Quando seu segundo marido, um taxista mulherengo, sai de casa, ela e os três filhos se veem presos em uma cidade mineradora dizimada pela política da então primeira-ministra Margaret Thatcher. Enquanto Agnes se entrega cada vez mais ao álcool em busca de conforto, seus filhos tentam salvá-la. Porém, um a um, vão desistindo porque precisam salvar a si mesmos.

Set in the Isle of Harris, John of John is a tender and devastating story of love and religion, of a father and son, art and landscape, and the corrosive effects of living a secret life. It confirms Douglas Stuart as one of Britain’s greatest contemporary novelists.

Shuggie ist anders, zart, fantasievoll und feminin, und das ausgerechnet in der Tristesse und Armut einer Arbeiterfamilie im Glasgow der 1980er-Jahre, mit einem Vater, der virile Potenz über alles stellt. Shuggies Herz gehört der Mutter, Agnes, die ihn versteht und der grauen Welt energisch ihre Schönheit entgegensetzt, Haltung mit makellosem Make-up, strahlend weißen Kunstzähnen und glamouröser Kleidung zeigt - und doch Trost immer mehr im Alkohol sucht.

It is 1981. Glasgow is dying and good families must grift to survive. Agnes Bain has always expected more from life. She dreams of greater things: a house with its own front door and a life bought and paid for outright (like her perfect, but false, teeth). But Agnes is abandoned by her philandering husband, and soon she and her three children find themselves trapped in a decimated mining town. As she descends deeper into drink, the children try their best to save her, yet one by one they must abandon her to save themselves. It is her son Shuggie who holds out hope the longest.

A sus quince años, Mungo, un adolescente con una sensibilidad diferente al resto de los chicos del vecindario, vive en un barrio obrero del Glasgow de la era post-Thatcher, en el seno de una familia protestante: sin padre, con una madre alcohólica y un hermano que representa todo lo que él odia. En un ambiente masculinizado, rodeado de paro y peleas callejeras, solo cuenta con el apoyo y el cuidado de su hermana, Jodie. Tras un altercado familiar, su madre decide enviar a Mungo de pesca con dos desconocidos de Alcohólicos Anónimos para que hagan de él un hombre de provecho.

Für die hypermaskuline Welt der Arbeiterviertel im Glasgow der 90er Jahre ist Mungo zu hübsch und zu sanft. Sein Bruder Hamish, gefürchteter Bandenführer, will ihn zum Mann machen und schleift ihn zu den brutalen Kämpfen zwischen Protestanten und Katholiken – nur wer hart genug ist, kann hier überleben. Dann trifft Mungo auf James und mit ihm kann er sein, wie er ist. Mit ihm lernt er ein Begehren kennen, das geächtet ist, das ihn mit Scham erfüllt, aber auch mit Glück, das er selbst vor seiner Schwester Jodie verleugnen muss, mit der er sonst alles teilt.

Born under different stars, Protestant Mungo and Catholic James live in a hyper-masculine world. They are caught between two of Glasgow’s housing estates where young working-class men divide themselves along sectarian lines, and fight territorial battles for the sake of reputation. They should be sworn enemies if they’re to be seen as men at all, and yet they become best friends as they find a sanctuary in the doocot that James has built for his prize racing pigeons. As they begin to fall in love, they dream of escaping the grey city.

Born under different stars—Mungo a Protestant and James a Catholic—they should be sworn enemies if they’re to be seen as men at all. Their environment is a hyper-masculine and sectarian one, for gangs of young men and the violence they might dole out dominate the Glaswegian estate where they live. And yet against all odds Mungo and James become best friends as they find a sanctuary in the pigeon dovecote that James has built for his prize racing birds.

For years, Douglas Stuart's Old Testament Exegesis has been one of the most popular ways to learn how to perform exegesis—the science and art of interpreting biblical texts properly for understanding as well as proclamation. This new edition includes a major revision and updates past editions by including a helpful configuration of the format for the exegesis process. Stuart provides guidance for full exegesis as well as for a quicker approach specifically tailored to the task of preaching.