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"Striving with Consequences" might be the title of this play, as Jay Gould and Jim Fisk intend to cope with the troubles, threats, and endangered interests that ensued the gold panic on Friday, September 24th, 1869. The drama is framed like a Sophoclean tragedy, with seven scenes of dialogue and seven choral episodes of New York reporters.

Jay Gould, though consumption has first come forth into his lungs, purchases the sovereign share of Union Pacific, a railroad of indebted frailty, frailer becoming while rates decline throughout the West. His health and his wife's, who is more ill than he, must be avowed. How railroad men such as James J. Hill, Charles Francis Adams, Fred Ames, and Ransom Cable comport with transportive difficulties is set forth. J. P. Morgan attempts to bring the western railroads in economical accord.

In 1564, Shakespearean judgments on Keynesian legislation, Shakespear Versus Keynes reveals that winning never multiplies from wasting, that affluence is not accrued from effluence, that profit is no fruit of prodigality, that thrift befits a thriver more than losses of lavishment, and that owners are more procreant than the disowners taxing them. Each judgment is a couplet in compact pentameter. No slackness is allowed.

Jay Gould sought to yoke a corner on the gold market in August and September, 1869. His endeavor came to a head on September 24, a day known as the Gold Panic, or Black Friday. Many merchant houses, banks, and brokerages thereafter failed because of the flagrant volatility in prices. This drama presents the acts and thoughts of Gould, his partner, Jim Fisk, and their brokers during the panic.

In 1863, under the instigation of his former associate, Daniel Drew, the New York State Legislature betrayed Commodore Vanderbilt, withdrawing the permit for his extension of the Harlem Railroad. The lawmakers and Drew then shorted Harlem stock. This play of counteraction portrays the most competitive businessman of the nineteenth century.

Disparities are just deserts, between the good and bad in competition seen. 1844 maxims of rhythmic justice and assertive rhyme, carried forward in the cause of human dissimilarity upon competitive pretensions for rewards, merciless poetry manifest. Successful emulation in enterprise these unemasculated couplets may inspire.

The Broadway Rapture: A Drama of the Gouldium. Against uncomfortable competition in national telegraphy, the Western Union Company, led by Jay Gould, with a number of new telegraphic firms warred to maintain her primacy. When the murderer of Jim Fisk becomes a partner in one of his competitors, revengeful competition is pursued by Gould. The Broadway Rapture is of historical fights for capital superiority. This play is one of the Gouldium, a series of dramas on the life and times of Jay Gould. As in most of these plays there are seven scenes of dialogue and seven choral episodes.

The longer that Jay Gould was chief shareholder of Union Pacific, the more advancements for the railroad and for his own system of roads he procured. His adversaries in this drama are the executives of the Chicago Burlington and Quincy Railroad who disputed the rates and branches of the Iowa Pool of railroads with him. There are also reconcilements in this play, first with Carlos Greeley of the Kansas Pacific bondholders and the other with Henry Villard.

Jay Gould returns to Colorado in a second attempt to combine the Kansas Pacific Railroad and her extensions with the Union Pacific. His chief adversary in this drama is a renowned Civil War reporter, Henry Villard, who represents the senior bondholders of the extensions. This play is one of the Gouldium, a series of dramas on the life and times of Jay Gould. As in most of these plays there are seven scenes of dialogue and seven choral episodes.

On May 31, 1889, the South Fork Dam in Cambria County, Pennsylvania, under erosive overflows from eight inches of rain, dissolved, a flood unloosing on the narrow valley below, with Johnstown 14 miles down. This drama presents Henry Clay Frick, a founding member of the South Fork Fishing Club, which owned the dam and Lake Conemaugh behind it. His response to the devastation is dramatic. This historical drama maintains the classical form of tragedy in English with seven scenes of dialogue and seven choral performances.

A few months after the accession of King James in 1603, Sir Walter Raleigh and his friend, Henry Lord Cobham, among others, were accused of treason. I am the Raleigh is a drama of Sir Walter’s trial, when he strove with Edward Coke, the great accuser, to exonerate himself.

In San Francisco, the new Bank of California would branch itself in Virginia City, Nevada, a mining town situated on a mountain side over the Comstock Lode of silver. As the branch's moment bigger grows under the direction of William Sharon, so a monopolistic sovereignty of mills and mines is ventured. This drama sets forth the actions of monopolist temerity and what success or miss the principals had. F. L. Light is the author of the Gouldium, a series of 24 dramas (all framed to his peculiar form of Athenian tragic poetry), on the life and times of Jay Gould.

In the 1870's, almost all capital for major mines in California and other western states or territories was centered in San Francisco, where William Ralston, chief officer of the Bank of California, pursued investments. When his associates were persuaded that a diamond lode of secret location had been discovered, he with them incorporated the Golconda Diamond Mine. The Exhilarated Suckers represents the course of their investment.

James Burbage, the founder of the Lord Chamberlain's Men, Shakespeare's acting company, is countered by Lady Elizabeth Russell in this play when he pursues the construction of a theatre inside the former Blackfriars' monastery in London. This historical drama maintains the classical form of tragedy in English with seven scenes of dialogue and seven choral performances.

The earls of Essex and Southampton are tried together for high treason before a jury of the noblest peers. Pleading not guilty, they strive in angry and arrant disputation with Attorney General Edward Coke and Francis Bacon. This drama is the third part of an Aeschylean trilogy and maintains the classical form of tragedy in English, with seven scenes of dialogue and seven choral performances.

Prince Kreon, enforcing an arbitrary mandate, is enraged that Antigone would abide by a natural law of sisterly respect in contradiction of his will. As neither can be reconciled with the other's acts, the drama grows devoutly tenebrous. This translation is iambic, as is most of the text in Greek.

Rodrigo Lopez, former physician to Queen Elizabeth, and his supposed accessories are questioned in the Tower on the charge of treason. Both the Earl of Essex and Lord Burghley agree that his confession must conform to the charge. This historical drama maintains the classical form of tragedy in English with seven scenes of dialogue and seven choral performances. By Aristotelian standards it may be recognized.

1476 couplets contrast the outsiders of the state with the insiders of particular societies of American commerce. Keynesian outsiders think they know better than the competitive insiders of commercial operations. Professors, in the outer towers of academe, contrive unhealthy constraints for the inner places of enterprise.

In diverse financial scrimmages, Jay Gould and his adversaries fought to survive and prosper in the difficult markets of the early 1880s. This historical drama represents his promptitude against discontented creditors, prompt detractors, and provoked distrusters. This play is one of the Gouldium, a series of dramas on the life and times of Jay Gould. As in most of these plays, there are seven scenes of dialogue and seven choral episodes.

Proficere in Latin means to go forward, and in pursuit of profit to the fore Fred Light goes with 1117 couplets as rhythmic as the prosperous esprit of commerce and finance. Profit is envisioned as the best fruition and revealed to bring the earthly rapture of success. Profit to listeners in profusion is No less than opulent in sentences. This audiobook the busiest happiness reveals, Which every profit-worthy maker feels.