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One of Joseph Campbell’s most popular, most quoted works, A Joseph Campbell Companion: Reflections on the Art of Living is a treasure trove of insight and inspiration, thought-provoking in its depth, poetic in its scope. Drawn from a month-long workshop at the world-famous Esalen Institute, the Joseph Campbell Companion captures Campbell at his best: wise, funny, intelligent, and inspiring.

Since its release in 1949, The Hero with a Thousand Faces has influenced millions of readers by combining the insights of modern psychology with Joseph Campbell's revolutionary understanding of comparative mythology. In this book, Campbell outlines the Hero's Journey, a universal motif of adventure and transformation that runs through virtually all of the world's mythic traditions. He also explores the Cosmogonic Cycle, the mythic pattern of world creation and destruction.

The author of such acclaimed books as The Hero With a Thousand Faces and The Power of Myth discusses the primitive roots of mythology, examining them in light of the most recent discoveries in archaeology, anthropology, and psychology.

Selected letters capturing ongoing conversations between famed mythologist Joseph Campbell and a remarkable group of artists, seekers, filmmakers, novelists, and scholars.

Before he was the engaging professor who brought mythology into people’s living rooms through his conversations with Bill Moyers, before he became known as the thinker whose ideas influenced Star Wars, and before his now-beloved phrase “follow your bliss” entered the popular lexicon, Joseph Campbell was a young man who tried his hand at writing fiction. After years of Depression-era unemployment, when he lived off money he had earned playing saxophone and read the world’s great literature in a syllabus of his own design, Campbell published his first short story.

The Masks of God is a four-volume study of world religion and myth that stands as one of Joseph Campbell’s masterworks. In this second volume of The Masks of God - Campbell’s major work of comparative mythology - the preeminent mythologist looks at Asian mythology as it developed over the course of five thousand years into the distinctive religions of Egypt, Mesopotamia, India, China, and Japan.

Woven from Joseph Campbell’s previously unpublished work, this volume explores Judeo-Christian symbols and metaphors - and their misinterpretations - with the famed mythologist’s characteristic conversational warmth and accessible scholarship. Campbell’s insights highlight centuries of confusion between literal and metaphorical interpretations of Western religious symbols that are, he argues, perennially relevant keys to spiritual understanding and mystical revelation. 

In this fourth volume in The Masks of God series - Joseph Campbell’s major work of comparative mythology - the preeminent mythologist looks at the birth of the modern, individualistic mythology as it developed in Europe beginning in the 12th century AD up through the modernist art of the 20th century. The Masks of God is a four-volume study of world religion and myth that stands as one of Joseph Campbell’s masterworks.

Countless would-be readers and listeners of Finnegans Wake - James Joyce's 1939 masterwork, on which he labored for a third of his life - have given up after a few pages and "dismissed the book as a perverse triumph of the unintelligible." In 1944, a young professor of mythology and literature named Joseph Campbell, working with novelist and poet Henry Morton Robinson, wrote the first guide to understanding the fascinating world of Finnegans Wake.

In this third volume of The Masks of God - Joseph Campbell’s major work of comparative mythology - the preeminent mythologist looks at the pagan religions of Greece, Rome, and the Celts, as well as the Abrahamic religions - Zoroastrianism, Judaism, Christianity, and Islam. Exploring the West’s shift from female-centered to male-centered mythology, Campbell examines the distinguishing characteristics and the shared root concepts of these mythologies. The Masks of God is a four-volume study of world religion and myth that stands as one of Joseph Campbell’s masterworks.  

Joseph Campbell famously compared mythology to a kangaroo pouch for the human mind and spirit: “a womb with a view.” In Myths to Live By, he examines all of the ways in which myth supports and guides us, giving our lives meaning. Love and war, science and religion, East and West, inner space and outer space - Campbell shows how the myths we live by can reconcile all of these pairs of opposites and bring a sense of the whole.

The Ecstasy of Being brings together seven of Campbell’s previously uncollected articles on dance, along with “Mythology and Form in the Performing and Visual Arts,” the treatise that he was working on when he died, published here for the first time. In this new collection Campbell explores the rise of modern art and dance in the twentieth century; delves into the work and philosophy of Isadora Duncan, Martha Graham, and others; and, as always, probes the idea of art as “the funnel through which spirit is poured into life.”

A hinge moment in recent American history, 1995 was an exceptional year. Drawing on interviews, oral histories, memoirs, archival collections, and news reports, W. Joseph Campbell presents a vivid, detail-rich portrait of those memorable 12 months.