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The outside world’s perception of Black promise comes and goes. It does so in ways that are undeniably advantageous for Black children. Yet here, Dr. Bennett explores the rarely examined pitfalls of being a Black prodigy in a society that has, too often, defined Blackness as the very absence of intellect. Bennett probes what it means to be othered, even if this othering is the same key to an individual’s success in an unfair world, demanding that we build alternative futures that make space for the promise and hope of every child.

Did you know that according to science’s founder, Rene Descartes, science was formed by a Divine visit from God on the night of November 10th, 1619? So believers of science must believe in God, Who through ancient scripture warns you are in a second civil war; and most Hebrew Bible, end-time prophecies came true since the COVID pandemic in 2020 AD. God warns through His prophets that this disease was intentionally launched by the ruler of the “Land of 10 Kingdoms,” unified China’s first, historic name.

Across three sequences, Joshua Bennett’s new book recalls and reimagines social worlds almost but not entirely lost, all while gesturing toward the ones we are building even now, in the midst of a state of emergency, together. Bennett opens with a set of autobiographical poems that deal with themes of family, life, death, vulnerability, and the joys and dreams of youth.

Are you preparing to take the gospel to the nations? You’ve said “yes” to God’s call to go, and now you will pack up your things and step into the unknown of a new location, people, and culture. The following years will likely include great joy, frustration, homesickness, difficulty, and excitement. In this book, ten men who have served in missions in various ways share what they wish they had known before they began.

Joshua Bennett and Jesse McCarthy repeatedly found themselves struck by the number of exciting poets they came across in long-out-of-print collections and forgotten journals whose work has been neglected or entirely ignored, even by scholars of Black poetry. Minor Notes is an excavation initiative that recovers and curates archival materials from these understudied, though supremely gifted, African American poets of the nineteenth and twentieth centuries, and aims to bridge scholarly interest with the growing general audience who reads, writes, and circulates poetry within that tradition.

Owed is a book with celebration at its centre. Its primary concern is how we might mend the relationship between ourselves and the people, spaces, and objects we have been taught to think of as insignificant, as fundamentally unworthy of study, reflection, attention, or care. Spanning the spectrum of genre and form - from elegy and ode to origin myth--these poems elaborate an aesthetics of repair. What's more, they ask that we turn to the songs and sites of the historically denigrated so that we might uncover a new way of being in the world together.

Across three sequences, Joshua Bennett’s new book recalls and reimagines social worlds almost but not entirely lost, all while gesturing toward the ones we are building even now, in the midst of a state of emergency, together. Bennett opens with a set of autobiographical poems that deal with themes of family, life, death, vulnerability, and the joys and dreams of youth.

In 2009, when he was twenty years old, Joshua Bennett was invited to perform a spoken word poem for Barack and Michelle Obama, at the same White House "Poetry Jam" where Lin-Manuel Miranda declaimed the opening bars of a work-in-progress that would soon revolutionize American theater.

As scholars of African American literature and cultural history, Bennett and McCarthy repeatedly find themselves struck by the number of exciting poets they come across in long-out-of-print collections and forgotten journals, whose work has been neglected and, in some cases, entirely ignored, even by those academic circles devoted to the study of Black poetry. Minor Notes is an excavation initiative that addresses this problem by recovering archival materials from these understudied, though supremely gifted, African American poets of the 19th and 20th centuries.

Gregory Pardlo described Joshua Bennett's first collection of poetry, The Sobbing School, as an "arresting debut" that was "abounding in tenderness and rich with character", with a "virtuosic kind of code switching". Bennett's new collection, Owed, is a book with celebration at its center. Its primary concern is how we might mend the relationship between ourselves and the people, spaces, and objects we have been taught to think of as insignificant, as fundamentally unworthy of study, reflection, attention, or care.