Resultado de "Lafcadio Hearn" em Todas as categorias

Together, these three volumes form an essential collection for anyone fascinated by mythology, folklore, and the cultural heritage of Japan. Each story in this anthology is not just a tale. It's a window into the ancient soul of Japan, its people, and its enduring legacy.

Una colección de cuentos y textos breves donde el terror y el intimismo se mezclan de la mano de uno de los maestros del cuento de terror japonés, Lafcadio Hearn. En ella, el autor presenta una serie de historias escalofriantes repletas de leyendas de amor y espectros, desde el canto de una cigarra hasta un detallado estudio de la yobina; a la vez que clama una vez más su amor por su país de adopción.

Una nueva colección de relatos fantasmales donde el terror no está reñido con la profunda enseñanza budista. En esta antología, Lafcadio Hearn vuelve a poner toda la maestría de su pluma al servicio de historias de espectros del Japón tradicional, entre quimonos poseídos, espíritus despechados, amantes que regresan de la tumba y espíritus de la naturaleza que nos advierten de los peligros del camino. 

Lafcadio Hearn (1850-1904) was a writer, critic and journalist. His novel, Chita: A Memory of Last Island, is about a young girl, Chita, who survives a devastating tropical storm. Last Island, a holiday resort in the Gulf of Mexico, is destroyed by the hurricane that kills Chita’s mother and leaves her adrift at sea. Chita is saved and adopted by a Spanish fisherman, Feliu, and his wife, Carmen, a religious woman who perceives the baby as a gift from God. 

In this collection of classic ghost stories from Japan, beautiful princesses turn out to be frogs, paintings come alive, deadly spectral brides haunt the living and a samurai delivers the baby of a Shinto goddess with mystical help. Here are all the phantoms and ghouls of Japanese folklore: 'rokuro-kubi', whose heads separate from their bodies at night; 'jikininki', or flesh-eating goblins; and terrifying faceless 'mujina' who haunt lonely neighbourhoods.

A wonderful collection of spine-tingling ghost stories and thought-provoking essays on insects. This new version has an introduction "Hearn and Japan", which details the continuing influence of Hearn on contemporary Japan.

Patrick Lafcadio Hearn, was an Irish writer known also by the Japanese name Koizumi Yakumo. His book Kwaidan: Stories and Studies of Strange Things, comprises two parts, the first being the "Kwaidan Proper" and the second, "Insect-Studies", which consists of an essay each on ants, butterflies and mosquitos. According to the author, most of the folk tales and ghost stories in the first part were translated from old Japanese texts. The themes encompass resurrection, sacrifice, magic, and the realm of dreams. 

Based on Japanese literature and foldlore, Kwaidan contains 17 stories. The story of Loichi, the blind biwa player who was called to perform for the dead; of Muso, the journeying priest who encountered a man eating goblin; of the samurai who outwitted the ghost of a dead man. All these plus 14 other spooly tales are included in this collection.

"The Boy Who Drew Cats" is a Japanese folk tale collected by Lafcadio Hearn in Japanese Fairy Tales. This is his most anthologized story. It concerns a boy who drew cats everywhere. Everyone in the town thought this was a waste of time until a goblin invaded their temple. They boy, and his cat, then come to the rescue.

This collection contains a mixture of stories about ghosts and contacts from spirits, some by celebrated authors, together with essays on psychical research. As Joseph French notes in the preface, even for the skeptic, tales of ghostly activity retain a distinct fascination. The widespread interest in psychic phenomena in the early twentieth century proved to be a significant stimulus to literary production.

In Ghostly Japan collects 12 ghostly stories from Lafcadio Hearn, deathless images of ghosts and goblins, touches of folklore and superstition, salted with traditions of the nation. While some of these stories contain nightmare imagery worthy of a midnight creature feature, others are not ghostly or ghastly at all. "Bits of Poetry" offers an engaging study on verse, and "Japanese Buddhist Proverbs" explains the meaning of several aphorisms based on Japanese cultural references.