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A twice-monthly podcast dedicated to all things relating to Security, Privacy, Compliance and Reliability on the Microsoft Cloud Platform. Hosted by Microsoft security experts, Michael Howard, Sarah Young, Gladys Rodriguez and Mark Simos. https://azsecuritypodcast.net/ ©2020-2023 Michael Howard, Sarah Young, Gladys Rodriquez, and Mark Simos.

Ghost stories date back centuries, but those written in the Victorian era have a unique atmosphere and dark beauty. Michael Sims, whose previous Victorian collections Dracula’s Guest (vampires) and The Dead Witness (detectives) have been widely praised, has gathered twelve of the best stories about humanity’s oldest supernatural obsession. The Phantom Coach includes tales by a surprising and often legendary cast, including Charles Dickens, Margaret Oliphant, Henry James, Rudyard Kipling, and Arthur Conan Doyle, as well as lost gems by forgotten masters such as Mary E. Wilkins Freeman and W. F. Harvey. Amelia B. Edwards’s chilling story gives the collection its title, while Ambrose Bierce ("The Moonlit Road"), Elizabeth Gaskell ("The Old Nurse’s Story"), and W. W. Jacobs ("The Monkey’s Paw") will turn you white as a sheet. With a skillful introduction to the genre and notes on each story by Sims, The Phantom Coach is a spectacular collection of ghostly Victorian thrills.

Henry David Thoreau has long been an intellectual icon and folk hero. In this strikingly original profile, Michael Sims reveals how the bookish, quirky young man evolved into the patron saint of environmentalism and nonviolent activism. Working from 19th-century letters and diaries, Sims charts Henry’s course from his time at Harvard through the years he spent living in a cabin beside Walden Pond. Sims uncovers a previously hidden Thoreau - the rowdy boy reminiscent of Tom Sawyer, the sarcastic college iconoclast, the devoted son who kept imitating his beloved older brother’s choices in life.

The Dead Witness gathers the finest adventures among private and police detectives from the 19th century and into the early 20th - including a wide range of overlooked gems creating the finest ever anthology of Victorian detective stories. "The Dead Witness", the 1866 title story by Australian writer Mary Fortune, is the first known detective story by a woman, a suspenseful clue-strewn manhunt in the Outback. This forgotten treasure sets the tone for the whole anthology....

Before Twilight and True Blood, even before Buffy and Anne Rice and Bela Lugosi, vampires haunted the 19th century, when brilliant writers everywhere indulged their bloodthirsty imaginations, culminating in Bram Stoker's legendary 1897 novel, Dracula. Michael Sims brings together the very best vampire stories of the Victorian era - from England, America, France, Germany, Transylvania, and even Japan - into a unique collection that highlights their cultural variety.

As he was composing what was to become his most enduring and popular book, E. B. White was obeying that oft-repeated maxim: "Write what you know." Helpless pigs, silly geese, clever spiders, greedy rats - White knew all of these characters in the barns and stables where he spent his favorite hours. In The Story of Charlotte's Web, Michael Sims shows how White solved what critic Clifton Fadiman once called "the standing problem of the juvenile-fantasy writer: how to find, not another Alice, but another rabbit hole."

For The Penguin Book of Murder Mysteries, writer and anthologist Michael Sims did not summon the usual suspects. He sought the unfamiliar, the unjustly forgotten, and little-known gems by writers from outside the genre.  This historical tour of one of our most popular literary categories includes stories never before reprinted, features rebellious early “lady detectives," and spotlights former stars of the crime field—Austrian novelist Auguste Groner and prolific American Geraldine Bonner among them.

Long before 1984, Star Wars, or The Hunger Games, Victorian authors imagined a future where new science and technologies reshaped the world and universe they knew. The great themes of modern science fiction showed up surprisingly early: space and time travel, dystopian societies, even dangerously independent machines, all inspiring the speculative fiction of the Victorian era.