Resultado de "Sarah Moss" em Todas as categorias

Edith, just out of school, has been sent from her quiet English life to rural Italy. It is the 1960s, and her mother has issued strict instructions: tend to her sister, ballet dancer Lydia, in the final weeks of her scandalous pregnancy; help at the birth; make a phone call that will summon the nuns who will spirit the child away to a new home. Decades later, happily divorced, recently moved, and full of new energy, Edith has made a life of contentment and comfort in Ireland. Then her best friend Maebh receives a shocking phone call from an American man.

It is the 60s and, just out of school, Edith finds herself travelling to rural Italy. She has been sent by her mother with strict instructions: to see her sister, ballet dancer Lydia, through the final weeks of her pregnancy, help at the birth and then make a phone call which will seal this baby’s fate, and his mother’s. Decades later, happily divorced and newly energized, Edith is living a life of contentment and comfort in Ireland. When her best friend Maebh receives a call from an American man claiming to be her brother, Maebh must decide if she will meet him, and she asks Edith for help.

What does killing houseplants, cowpie cookies, ugly feet, and lost keys have to do with The Book of Mormon? Everything! Women Read Scripture: 365 Daily Devotionals from The Book of Mormon offers a daily companion to The Book of Mormon, accompanied by relatable stories and poignant anecdotes that illuminate the scriptures' timeless wisdom with every excerpted verse.

A girl must watch her figure but never be vain. She must be intelligent but never a know-it-all. She must be ambitious, if she is clever, but not in a way that shows. She must cook and sew and make do and mend. She must know (but never say) that these skills are, in some fundamental way, flawed and frivolous—feminine. Girls must stay small, even as they grow. Women must show restraint. And yet. In books, in the landscape of imagination, a girl can run free.

My Good Bright Wolf is a memoir about thinking and reading, eating and not eating, about privilege and scarcity, about the relationships that form us and the long tentacles of childhood. Sarah confronts all of this in a book that pushes at the boundaries of memoir-writing. Opening in the second person, it narrates contested memories of girlhood at the hands of embattled, distracted parents in a time of disastrous attitudes towards eating and female discipline.

They rarely speak to each other, but they take notice - watching from the safety of their cabins, peering into the half-lit drizzle of a Scottish summer day, making judgments from what little they know of their temporary neighbors. On the longest day of the year, the hours pass nearly imperceptibly as twelve people go from being strangers to bystanders to allies, their attention forced into action as tragedy sneaks into their lives.

Only weeks into their marriage, a young couple embark on a six-month period of separation. Tom Cavendish goes to Japan to build lighthouses, and his wife, Ally, a doctor, begins her work at the Truro asylum. As the couple navigate their separate professional trials, the foundations of their marriage begin to slip. An exquisite novel of the 1880s told in alternating parts: two maps of absence - two distinct but conjoined portraits of loneliness and determination.

On the longest day of the summer, 12 people sit cooped up with their families in a faded Scottish cabin park. The endless rain leaves them with little to do but watch the other residents. A woman goes running up the Ben as if fleeing; a retired couple reminisces about neighbours long since moved on; a teenage boy braves the dark waters of the loch in his red kayak. Each person is wrapped in their own cares but increasingly alert to the makeshift community around them.

In the North of England, far from the intrusions of cities but not far from civilization, Silvie and her family are living as if they are ancient Britons, surviving by the tools and knowledge of the Iron Age. For two weeks, the length of her father’s vacation, they join an anthropology course set to reenact life in simpler times. The ancient Britons built ghost walls to ward off enemy invaders, rude barricades of stakes topped with ancestral skulls. When the group builds one of its own, they find a spiritual connection to the past. What comes next but human sacrifice?

At dusk on a November evening in 2020, a woman slips out of her garden gate and turns up the hill. Kate is in the middle of a two-week quarantine period, but she just can’t take it anymore - the closeness of the air in her small house, the confinement. And anyway, the moor will be deserted at this time. Nobody need ever know. But Kate’s neighbour Alice sees her leaving, and Matt, Kate’s son, soon realizes she’s missing. And Kate, who planned only a quick solitary walk - a breath of open air - falls and badly injures herself.

Historian Anna Bennett has a book to write. She also has an insomniac toddler, a precocious, death-obsessed seven-year-old, and a frequently-absent ecologist husband who has brought them all to Colsay, a desolate island in the Hebrides, so he can count the puffins. Ferociously sleep-deprived, torn between mothering and her desire for the pleasures of work and solitude, Anna becomes haunted by the discovery of a baby's skeleton in the garden of their house.

A lo largo de sus diecisiete años de vida, Silvie ha aprendido de su padre, aficionado a la historia de la Edad del Hierro, cómo vivían los antiguos britanos -qué tipo de túnicas vestían, qué raíces comestibles recolectaban, cómo encontraban agua potable- y también cómo morían algunas de sus mujeres y niñas: atadas de pies y manos, ahogadas en un pantano, víctimas de sacrificios rituales a manos de su propia tribu.