Resultado narrado por "Anne Hancock" em Todas as categorias

"Collision!" is the only explanation Gail Desmond hears as the ocean liner lists toward the sea. In the chaos that follows, she finds herself alone on deck with a stranger who lashes her to a makeshift raft. Moments later, she finds him floating unconscious and hauls him aboard.

When Agnes Blakiston and her maid Maggie take possession of a rental house for the summer, their idea of a tranquil stay is almost immediately upended. First, there is the telephone. It rings late at night, just one ring, but there is never anyone on the line. They begin to notice things have moved during the night. A candle has burned low, and a shawl has disappeared. And then Maggie, spooked and suspicious, discovers a note. It's a confession to a murder. But who has written it and, equally confounding, who has been killed?

Hugo Ross is perfect for the job as irascible inventor Ambrose Minstrel’s new secretary: young, completely inexperienced, and with an occasional stutter that makes him seem somewhat dim—a mug, in fact. But from his first day, odd things begin to happen. A stranger offers him an absurd amount for an ordinary pair of field glasses; soon, the written offer is stolen from his room. A lovely girl he runs into in the dark one night outside his new employer’s house warns him not to take the job.

Jamie MacFarlane has returned a hero from the Great War but with a stubborn chest wound. The government has sent him to their new thermal springs hospital in California “where it was hoped that the brilliant sunshine, the fruits, and the clean air, the eternal summer of a beneficent land” would heal him. But nothing has worked and with his parents now deceased and no one to care for him, it seems the next step is a camp rife with tuberculosis. Realizing this, Jamie begins his Great Adventure on foot toward the ocean.

1915. After six years living in Paris, Sally Lunton faces a crisis of the heart (her love affair has gone smash); a crisis of the pocketbook (her meager living selling her small paintings has dried up); and a crisis of the soul, as she watches in anguish while the broken bodies of soldiers are carried from war-torn Belgium through the Parisian streets. Truly, Sally is on the rocks. Then comes a lifeline: a letter from Miss Maggie Hopkins of Little Crampton, the English village where she grew up. It appears that the town’s bank manager, Mr. Alfred Bingley, is a most eligible bachelor.

Sue Ives and Stephen Bellamy are charged with the murder of Stephen’s wife Mimi, found stabbed in an uninhabited cottage on a Long Island estate. The eight-day trial introduces a trove of witnesses (some reliable, some not); an avuncular defense attorney who may be incompetent; a wily and relentless prosecutor; and the voracious members of the press and public captivated by a crime that lays bare the intrigues and jealousies of the country club set. Two of the reporters, a veteran, and a rookie attending her first murder trial, act as a Greek chorus commenting on unfolding events.

A great building boom spread across America in the 1920s and the Fawcett Construction Company of New York has many projects in the pipeline. Carol Berkley, private secretary to the company's president, keeps track of them all and is particularly concerned about the lack of progress in a building out west. When two men who appear to have something to do with the project arrive to talk to her boss, she overhears them discussing plans to swindle the company. Their scheme is to share the spoils with the project's engineer, Philip Duskin.

Hitty is a doll, so a listener would be forgiven for assuming that this is a story written only for little girls. But Hitty's tale which spans a century, told from her perch in a New York antique shop, includes a hazardous journey on a whaling vessel, a stint as assistant to an Indian snake charmer, and, like Moses, abandonment in a basket on a muddy river. This is a story of adventure.

Cloud of Spruce, the ancestral home of the Lesley clan, is situated amid orchards and spruce woods with a perfect view of Prince Edward Island harbor. Six-year-old Marigold Lesley is sure that the sound of the wind through the trees is the whispers of fairies; that just over the hill is a beautiful Hidden Land; and that her friend Sylvia—who no one else can see—will always be waiting to play with her. Marigold lives with her understanding mother, her curmudgeonly Old Grandmother, and her strict Young Grandmother who doesn't approve of imaginary friends.

Patterson Greeves, a noted scientist and academic, is retiring to his family manse to write a book. But on arrival, he finds two letters, one from each of his daughters, announcing their imminent arrival. One plans to visit and the other to live with him. He panics: though a man of many accomplishments, he has been an abysmal and absent father.

A stormy night. A seemingly deserted farmhouse in the north of England. A young farmer returns to find a well-dressed woman seated at his desk, dead from a gunshot wound. John Leslie is completely mystified. Who is she? The police identify her as Mrs. Draycott, a visitor to the area. And since John cannot provide a plausible alibi, he is charged with her murder.

In the novel Little Women, Mr. March goes off to war. But in real life, it was Jo March (Louisa May Alcott herself, an avowed abolitionist) who traveled to Washington to nurse Northern soldiers. This is Alcott’s memoir but she chose to use the pseudonym “Tribulation Periwinkle” to tell her story. Despite the subject matter, her account is full of amusing anecdotes as she makes her way alone from Concord, Massachusetts to DC, trying to finagle a free ticket and convinced she will drown during the journey.

Ramona Ortegna, the foster child of Señora Moreno, is much loved by all who live and work at the Moreno ranch, except Señora herself, who cannot bring herself to think of the girl as anything but a mixed-blood child. Half white, half Indian, Ramona had been adopted by the Senora’s sister who then entrusted the child to her upon her death. Already embittered by the loss to the Americans of much of her southern California land as the result of the 1846 Mexican-American War, the pious old woman is also distraught by the near destruction of California’s Catholic missions.

Eleanor H. Porter’s most famous literary creation is Pollyanna, but she isn’t the only precocious young girl to spring from the author’s pen. Mary Marie Anderson describes herself as “a cross-current and a contradiction", the offspring of incompatible parents who couldn’t even agree about her name. When the two divorce when she is thirteen, Mary Marie is delighted since she’s always liked being different. None of the other girls have two homes and spend six months with each parent! Father will remain in their small town and mother will live in Boston with her family.

According to legend, in 1910, Marie Belloc Lowndes attended a London dinner party where a guest told her that his mother’s butler and cook claimed they had once rented rooms to Jack the Ripper, the notorious mass murderer. The idea for “The Lodger” was born. Mr. and Mrs. Bunting have sunk their savings into their house with plans to let rooms. But no lodgers have materialized, and they are on the verge of penury when, one foggy night, a knock on the door brings Mr. Sleuth, an unassuming gentleman whose needs are perfectly suited to the suite of rooms the Buntings have to rent.

Running away from an abusive stepmother, a little girl scrambles across London rooftops, a favorite hiding place. She peers through a window and sees a man apparently burglarizing a studio, but quickly realizes that she has witnessed the aftermath of a murder when the man puts a gun in the hand of a body on the floor. When she cries out he glimpses her and she escapes in terror. Very soon after, she is sent to live with her deceased mother’s aristocratic family and her secret is kept from the police.

Sixteen-year-old Effie Martin is in trouble. No one in her family understands her, some mean girls refuse to invite her to their picnic, her clothes are a mess, and she's mad at the world. Impulsively, she hops on her bike and soon finds herself in the middle of a drama where she saves the day. Her heroic act becomes a turning point in her life.

Grace Livingston Hill’s three novels about nineteenth-century small-town America remain relevant a century after they were first published. The timeless themes include the powerful influence of gossip, the importance of faith, and the precious gift of true friendship.

Laura Temple faces the predicaments of many British middle-class wives and mothers living in country villages between the World Wars. Her too-large house, inherited by her husband Alfred, requires three servants to keep it running: generally unsatisfactory servants whom she is perpetually concerned will leave her employ for greener pastures, which they inevitably do. Her modest success as a short story writer helps augment their income but still, there is never enough money. She is a devoted mother to her two sons, although she shamelessly prefers one over the other. And she is deeply unhappy.

Faithfully nursing her ill father for five years has derailed Marion Warren’s plans for further education. When no will is found after their father’s death, her brother Tom decides to sell their family home in the city and move his young family to a Vermont farm. Naturally, Marion will always have a home with them—where she can help with housework and the children’s schooling. Marion’s dream of taking classes and enjoying the city’s cultural offerings evaporates until, armed with only her faith, a meager purse and a quaking heart, she dares to make other plans.