Resultado narrado por "Hannah Curtis" em Todas as categorias

A bloodstained coat. Three missing women. One dead body. Detective Mary Hume reckons she's seen it all. But she's never seen anything like this. It begins with the discovery of a broken body in a lift shaft in an old Victorian warehouse. The postmortem reveals the bloodstains on the dead man's coat belong to three different people. DNA identifies one of them as Julie Cross, whose body was discovered six months earlier, covered in horrifying wounds.

The nine narrative episodes of Volume Four of the Emmy® Award-winning Netflix Original series Love, Death + Robots. Featuring bestselling authors and screenwriters from all over the globe, curated by filmmakers Tim Miller and David Fincher, and Supervising Director Jennifer Yuh Nelson. Introduction by John Scalzi, with stories by John Scalzi, Stant Litore, Siobhan Carroll, Bruce Sterling, John McNichol, Dave Hutchinson, Marc Laidlaw, and Robert Bisi & Andy Lyon.

Detective Mary Hume is on the trail of a vicious serial killer. A killer who leaves a baffling code carved into the skin of his victims. The first victim, a young man, lies spreadeagled in his stylish Soho flat. Carved deep into his hairless chest—while he was still alive—are the numbers 1-4-3. The second victim is a vicar—murdered and mutilated in his own church, his body posed kneeling in the front pew. Etched into his torso are more cryptic numbers.

Natania Barron presents Book 2 in the Love in Netherford series.

I'm Billie Mahoney, newbie fox-shifter and royal shifter, bonded to three hot-as-feck wolf-shifters with the scars to prove it. We've worked through a lot of our past trauma, and the biggest obstacle to our relationship and our happiness—Xander's dickwad of a father—has been detained by the Shifter High Council, leaving the path ahead of us clear. Sort of. We've got a trip to Southie planned to hang out with my adoptive human family. A trip where I can forget about being a shifter, forget about this new world full of unknowns and future responsibilities.

Magic, superstition, cooking, and food rituals have been intertwined since the beginning of humankind. Kitchen Witch is an exploration of the history and culture of food, folklore, and magic and those skilled in healing and nourishing—herbalists, wise women, cooks, cunning folk, and the name many of them would come to bear: witch. Kitchen Witch is an invitation to see the magic in every corner of your kitchen.

As you know, I'm Billie Mahoney… actually Wilhelmina Agnese Mahoney-Volpella, half-Irish, half-Italian, a fox-shifter (yup, totally owning it), mated and bonded to three hot-as-feck wolf-shifters—and apparently a royal. Whatever the feck that means.

Prize-winning historian Helen Castor delivers a compelling, eye-opening examination of women and power in England, witnessed through the lives of six women who exercised power against all odds—and one who never got the chance.

Detective Mary Hume stares at the crime scene in confusion. She's in an empty flat. Peeling wallpaper. A bloodstained chair in the middle of the room. But no body. Her sergeant hands her a burner phone. On it is a video clip. It shows a woman. Tied to the chair in the flat, a carving knife pressed to her throat. Placed in the woman's lap is a piece of cardboard. Written on it in blood-red is one word: DEADTOWN.

The fifteen stories and three screenplays that make up Volumes Two and Three of the Emmy® Award–winning Netflix Original series Love, Death & Robots. Featuring bestselling authors and screenwriters from all over the globe, curated by filmmakers Tim Miller and David Fincher, and Supervising Director Jennifer Yuh Nelson.

Maeve Gardner kills people for a living. A dodgy occupation perhaps, but as ghostwriter for the long-running Simon Hills mysteries, Maeve has planned the perfect murder time and again and she enjoys it. She dreams of writing something under her own name someday rather than babysitting her adopted character Simon, but at least she’s writing. Life on the canals is grand, but when her cheating ex-boyfriend turns up floating face down in the water outside her boat, murdered, and the police arrest her, the plot takes a wayward turn.

She's ours, even if she doesn't know it. Even if she isn't a wolf-shifter. Even if her shifter hasn't surfaced yet. I've endured far too many years of torture and abuse with the only thought keeping me alive, the only thing that enabled me to endure the pain and agony being bestowed on me, was the hope of finding my divinely chosen true-mate. Our true-mate. And there's no way in hell we're losing her now that we've found her. She may not be a wolf but I'm still her alpha and once her shifter emerges there will be no denying that fact… or us.

They called him the Young Pretender, a Prince of England whose throne was stolen from him. Charles Stuart risked a blood bath for his crown. To fund his war between Scotland and England, Charles had millions in gold buried by his followers and lost to time. Annja, Roux, and Garin team up to hunt for the Jacobite treasure from the underground alleys in Edinburgh, to the misty hills, lochs, and castles of The Highlands.

A few years ago, Laura lost her daughter in tragic circumstances. Now, she is running from her past, but a chance encounter with a frightened teenager, Miriana, drags her back into a web of secrets and danger. As Miriana’s cryptic story unravels, Laura realises the threat is closer than she ever imagined. Someone is hunting Laura, determined to bury the truth about what really happened to her daughter. A predator is watching. Waiting. Ready to strike again. Trapped between fear and fury, Laura must confront her darkest suspicions and uncover the terrifying truth before the hunter closes in.

Stretching from the late-nineteenth century to the present day, The Lost Masterpiece is wrapped around an enigmatic and powerful painting, Party on the Seine. Stolen by the Nazis. Believed to be destroyed for almost a century. Possibly haunted by the anguished spirit of Impressionist painter Berthe Morisot. Survivor of a flood, an earthquake and a fire when all the other artworks around it were destroyed. What secrets does it hold? What power?

In Revolting Prostitutes, sex workers Juno Mac and Molly Smith bring a fresh perspective to questions that have long been contentious. Speaking from a growing global sex worker rights movement, and situating their argument firmly within wider questions of migration, work, feminism, and resistance to white supremacy, they make it clear that anyone committed to working towards justice and freedom should be in support of the sex worker rights movement.

When her best friend dies under mysterious circumstances, Sophie sets off to stay with her cousins on the remote Isle of Skye. It's been years since she last saw them—brooding Cameron with his scarred hand; Piper, who seems too perfect to be real; and peculiar little Lilias with her fear of bones. Still, Sophie never expected the strange new rules the family now lives by: Make no mention of Cameron's accident. Never leave the front gate unlocked. Above all, don't speak of the girl who's no longer there, the sister whose death might have closer ties to Sophie's past.

The ridiculous music. The excessive presents. The stupid Christmas sweaters. Felicity wants nothing more than to escape it all, and she pounces on the chance to work shifts over the holiday season at an animal rescue center. After all, it’s the only place that brings her true happiness. But one day, her evening is disturbed by a stranger named James—dressed as a penguin and cradling a weak kitten. As Felicity and James work together to nurse the sick feline back to health, it gives them the perfect excuse to bond over their mutual dislike of all things festive. And soon, sparks fly.

After a mysterious fire at their home in Regency London displaces Gentlewitch Edith Rookwood and her now much-reduced family to their ancestral seat of Netherford Hall in Kent, she faces a new threat in the form of her tenant—the chaotic and lovely Poppy Brightwell. The repairs on the old pile are prohibitive, Edith's standing is uncertain, and her inheritance has been challenged by a forgotten American branch of the family. It is clear she needs to marry, soon and wisely—but the lively girl from Harrow House gradually comes to occupy all of her thoughts.

London, England, 1814. Lady Anna Clifton has arrived in London with a secret purpose. Her soldier brother has been reported wounded and missing in France, and if he is dead, his title and their family's estate will go to a horrible distant cousin, and Lady Anna will be homeless. Desperate to find her brother alive, Lady Anna blesses her good fortune when the Duke of Aylesham offers his yacht to carry her to France so she can look for her brother there herself.