Resultado narrado por "Hannah Rosa" em Todas as categorias

I'm Billie Mahoney, newbie fox-shifter and royal shifter, bonded to three hot-as-feck wolf-shifters with the scars to prove it. We've worked through a lot of our past trauma, and the biggest obstacle to our relationship and our happiness—Xander's dickwad of a father—has been detained by the Shifter High Council, leaving the path ahead of us clear. Sort of. We've got a trip to Southie planned to hang out with my adoptive human family. A trip where I can forget about being a shifter, forget about this new world full of unknowns and future responsibilities.

As you know, I'm Billie Mahoney… actually Wilhelmina Agnese Mahoney-Volpella, half-Irish, half-Italian, a fox-shifter (yup, totally owning it), mated and bonded to three hot-as-feck wolf-shifters—and apparently a royal. Whatever the feck that means.

She's ours, even if she doesn't know it. Even if she isn't a wolf-shifter. Even if her shifter hasn't surfaced yet. I've endured far too many years of torture and abuse with the only thought keeping me alive, the only thing that enabled me to endure the pain and agony being bestowed on me, was the hope of finding my divinely chosen true-mate. Our true-mate. And there's no way in hell we're losing her now that we've found her. She may not be a wolf but I'm still her alpha and once her shifter emerges there will be no denying that fact… or us.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.

When 12-year-old Hannah uncovers an ancient Salish spindle whorl hidden in a cave near her home in Cowichan Bay, she is transported back to a village called Tl'ulpalus, in a time before Europeans had settled in the area. Through the agency of a trickster raven, Hannah befriends Yisella, a young Salish girl, and is welcomed into village life. Here she discovers that the spindle whorl is the prized possession of Yisella's mother, Skeepla, a famous spinner and weaver.

Beginning in the present, cultural historian Hannah Rose Woods travels backwards on an eye-opening tour through six centuries of Britain's perennial fixation with its own past, asking why nostalgia has been such an enduring and seductive emotion across hundreds of years of change. Woods separates the history from the fantasy, debunks dangerous and pervasive myths about Britain's past and explores the ways in which nostalgia has historically been mobilised in Britain across the political spectrum, from the radical left to the nationalist right, for both good and for ill.