Resultado narrado por "Lydia Leonard" em Todas as categorias

The boy Nero lives. His mother Agrippina has married her way to power, tangling the Emperor Claudius in her skirts. The emperor may have a son and heir of his own, but Agrippina sees no obstacles to her ambition. Rome is a path through a marsh, lit by torches. Those who walk it are always one step from disaster–and the road itself is treacherous, slippery with blood. Claudius may have the world at his feet, but he has Agrippina in his bed.

When she first meets Adam, Coralie is new to London and feeling adrift. But Adam is clever, witty, and (he insists) a quarter inch taller than the average male. His charming four-year-old daughter only adds to his appeal. But ten years on, something important is missing from the life Coralie and Adam (though let’s face it, mostly Coralie) have built. Or maybe, having gained everything she dreamed of, Coralie has lost something else she once had: herself.

Set against an eventful decade that included the soap opera of five Prime Ministers plus Brexit and Covid, Consider Yourself Kissed puts the subjects of love and family on a grand stage, showing how the intimate dramas in our homes inescapably compete for energy and attention with the shared public dramas of our times. Told over ten years of one woman’s life, Consider Yourself Kissed is an unforgettable literary love story which effortlessly balances sweetness with bite, the public with the personal, and humour with heart.

Marnie is stuck. Stuck working alone in her London flat, stuck battling the long afternoons and a life that increasingly feels like it's passing her by. Michael is coming undone. Reeling from his wife's departure, increasingly reclusive, taking himself on long, solitary walks across the moors and fells. When a persistent mutual friend and some very English weather conspire to bring them together, Marnie and Michael suddenly find themselves alone on the most epic of walks and on the precipice of a new friendship. But can it survive the journey?

Michael is coming undone. Adrift after his wife's departure, he has begun taking himself on long, solitary walks across the English countryside. Becoming ever more reclusive, he’ll do anything to avoid his empty house. Marnie, on the other hand, is stuck. Hiding alone in her London flat, she avoids old friends and any reminders of her rotten, selfish ex-husband. Curled up with a good book, she’s battling the long afternoons of a life that feels like it’s passing her by.

Into this fevered forum, a child is born. His mother is Agrippina, granddaughter of Emperor Augustus. But their imperial blood is no protection. The closer you are to the heart of the empire, the closer you are to power, intrigue, and danger. She faces soldiers, senators, rivals, silver-tongued pretenders, each vying for position. One mistake risks exile, incarceration, execution. Or, worst of all, the loss of her infant son.

In addition to her celebrated career as a novelist, Hilary Mantel contributed for years to newspapers and journals, unspooling stories from her own life and illuminating the world as she found it. “Ink is a generative fluid,” she explains. “If you don’t mean your words to breed consequences, don’t write at all.” A Memoir of My Former Self collects the finest of this writing over four decades.

A new adaptation of L. P. Hartley's story of a boy who is betrayed by a sophisticated young rich woman and her farmer lover who use him to ferry letters back and forth in the blazing summer of 1900 - with Richard Griffiths and Harriet Walter. It's best known from the 1970 film, which focused on the main plot line. But on re-reading the book, adaptor Frances Byrnes found within it another drama perfect for audio in which an old man finds a boyhood diary and is forced to unlock the trauma inside.