Resultado narrado por "Mark Kermode" em Todas as categorias

This audiobook is read by the author and includes an exclusive Q&A between Mark Kermode and Jenny Nelson 'Brims with enthusiasm and joyful insight' – Richard Ayoade How can a film score make you cheer, shiver, cry or punch the air? How do directors communicate their musical vision to composers?...

Bloomsbury presents The Exorcist written and read by Mark Kermode. Inspired by an alleged real case of demonic possession in 1949, The Exorcist became an international phenomenon on its release in 1973. A blockbusting adaptation of a best-selling novel, it was praised as ‘deeply spiritual’...

To avoid fainting, keep repeating It's only a move ..only a movie ..only a movie ..only a movie If you grew up believing that Planet of the Apes told you all you needed to know about politics, that Slade in Flame was a savage exposé of the pop world, and that The Exorcist revealed the meaning of life, then you probably spent far too many of your formative years at the cinema. Just as likely, you soon would have realised that there was only one career open to you - you'd have to become a film critic.

In It's Only a Movie, the incomparable Mark Kermode showed us the weird world of a film critic's life lived in widescreen. Now, in The Good, The Bad and The Multiplex, he takes us into the belly of the beast to ask: 'What's wrong with modern movies?' If blockbusters make money no matter how bad...

How Does It Feel? follows a lifetime of musical misadventures which have seen Mark striking rock star poses in the Sixth Form Common Room, striding around a string of TV shows dressed from head to foot in black leather, getting heckled off stage by a bunch of angry septuagenarians on a boat on the Mersey, showing Timmy Mallet how to build a tea-chest bass - and winning the International Street Entertainers of the Year award as part of a new wave of skiffle. Really. 

A wry, robust and developed defence of accountable critical voices' 4 stars, Total Film For decades, the backbone of film criticism has been the hatchet job – the entertaining trashing of a film by professional reviewers, seen by many as cynical snobs. But with the arrival of the internet...