Resultado narrado por "Steven Crossley Crossley" em Todas as categorias

The modern audience hasn't had a chance to truly appreciate the unknowing dread that readers would have felt when reading Bram Stoker's original 1897 manuscript. Most modern productions employ campiness or sound effects to try to bring back that gothic tension, but we've tried something different. By returning to Stoker's original storytelling structure - a series of letters and journal entries voiced by Jonathan Harker, Dr. Van Helsing, and other characters - with an all-star cast of narrators, we've sought to recapture its originally intended horror and power.

I Let You Go follows Jenna Gray as she moves to a ramshackle cottage on the remote Welsh coast, trying to escape the memory of the car accident that plays again and again in her mind and desperate to heal from the loss of her child and the rest of her painful past. At the same time, the novel tracks the pair of Bristol police investigators trying to get to the bottom of this hit-and-run.

Once upon a time, there was a boy named Christopher Robin, who had many friends in the Hundred-Acre Wood. As time passed, the boy grew up, and he lost track of his friends.

Mystery lovers everywhere are addicted to Donna Leon’s ever-honorable Commissario Guido Brunetti and her portrayal of Venice’s beautiful but sinister byways and canals. In Willful Behavior, Brunetti is approached for a favor by one of his wife’s students. Intelligent and serious, Claudia Leonardo asks for his help in obtaining a pardon for a crime once committed by her now-dead grandfather. Brunetti thinks little of it—until Claudia is found dead. Soon, another corpse and an extraordinary art collection lead Brunetti to secrets of Nazi collaboration and the exploitation of Italian Jews.

The Oxford Handbook of George Orwell offers a wide-ranging reconsideration of Orwell's life and work, focusing on the extensive connections between his novels, essays, diaries, columns, letters, and reviews. Sections on Orwell's professional activities, his main literary influences, his politics, his intellectual fixations, his literary contemporaries, and his legacies structure the book, which moves thematically and topically through the full scope of his output.

When Mary Russell was a child, she adored her black sheep Uncle Jake. But she hasn’t heard from him in many years, and she assumed that his ne’er-do-well ways had brought him to a bad end somewhere—until he presents himself at her Sussex door. Yes, Jake is back, and with a load of problems for his clever niece. Not the least of which is the reason the family rejected him in the first place: He was involved—somehow—in the infamous disappearance of the Irish Crown Jewels from an impregnable safe in Dublin Castle.

Lieutenant Gilbert Maltravers is bored. It is 1912 and he has been promoted as fast as any in his Dartmouth class and is placed in a battleship where he can confidently look forward to promotion to post captain and a battleship of his own by the time he is forty. All he needs to do is keep a smart ship, polish the brass and salute every senior officer, while wearing an expensive uniform that testifies he is one of the right sort. His father is an admiral, so very little can go wrong.

Donald Macintyre’s U-Boat Killer is a unique account of the Battle of the Atlantic from the perspective of a British destroyer captain who fought through this brutal campaign. Few other books transport the listener to the deck of a convoy escort in the cold, stormy seas of the Atlantic Ocean and bring to life the terrifying conflict between the Royal Navy and the U-boats.

William Shakespeare understood power: what it is, how it works, how it is gained, and how it is lost. In The Hollow Crown, Eliot A. Cohen reveals how the battling princes of Henry IV and scheming senators of Julius Caesar can teach us to better understand power and politics today. The White House, after all, is a court—with intrigue and conflict rivaling those on the Globe's stage—as is an army, a business, or a university. And each court is full of driven characters, in all their ambition, cruelty, and humanity.

This panoramic book shows how the Greek Revolution was a demographic upheaval more consequential than the overthrow of a ruler. Drawing on Ottoman sources together with archival evidence from Greece, Britain, France, Russia, and Switzerland, the book reframes the birth of modern Greece within the imperial history of the global nineteenth century.

Innumerable stories, from the Homeric epics to the New Testament, and from Oedipus Rex to Hamlet, explore the realization or failure of second chances—outcomes that depend on accident, acts of will, or fate. Such stories let us repeatedly rehearse the experience of loss and recovery: to know the joy that comes with a renewal of love and pleasure and to face the pain that comes with realizing that some damage can never be undone. Through a series of illuminating readings, the authors show how Shakespeare was the supreme virtuoso of the second chance and Freud was its supreme interpreter.

A brand-new collection of four intense, claustrophobic and terrifying horror tales from the Bram Stoker Award®-nominated and Splatterpunk Award-winning author of Things Have Gotten Worse Since We Last Spoke.

Sung in moments of personal isolation or on state occasions watched by millions, “Amazing Grace” has become an unparalleled anthem for humankind. How did a simple Christian hymn, written in a remote English vicarage in 1772, come to hold such sway in all corners of the modern world? With this short, engaging cultural history, James Walvin offers an explanation.

Rampton Farm, Northumberland, has always been a gloomy, godforsaken place. Now it’s earmarked for demolition—to make way for just another tawdry amusement park. It will be progress, and nothing can stand in the way—except perhaps Arnold Landon, the Planning Officer who must glean the lie of the land.

The year is 2130. The first-ever expedition is sent to Mercury to search for the cause of an unknown source of electromagnetic radiation that can destroy spaceships passing by the planet. Thought to be inhospitable and lifeless, the surface of Mercury provides startling surprises for the crew that endanger their lives and challenge their established notions of what it means to be a sentient being. And some of the crew members have their own separate agendas.

Both pseudoscience and science fiction (SF) are creative endeavors that have little in common with academic science, beyond the superficial trappings of jargon and subject matter. The most obvious difference between the two is that pseudoscience is presented as fact, not fiction. This engaging and well-researched audiobook explores a wide range of intriguing similarities and differences between pseudoscience and the fictional science found in SF.

Sometime in the not-too-distant future...unbeknownst to Earth, the galaxy is home to a number of spacefaring societies. This confederation enforces a strict protocol forbidding any contact with civilizations that have not yet achieved both a substantial spacefaring capability and sufficient maturity to control the technology explosion before triggering their own extinction.

William Marble is in serious debt, struggling to keep his family afloat, and close to facing bankruptcy when an opportunity presents itself. His rich nephew visits one night, giving Marble the chance to slip poison into his drink. When Marble has all the money he has ever dreamed of, he thinks life will surely be easier for him. Instead, his troubles are just beginning, as things are about to get a whole lot worse. Slowly William’s family becomes caught in a dangerous web of fear, secrets, and blackmail.

Late one night, Lynne Anderson reveals to her lover that she has something to tell him. And it’s not just pillow talk. But before she can spill her shocking secrets, a shooter silences her and her lover for ever. Meanwhile, her husband Kevin Anderson has disappeared, leaving behind only a partial report on the ancient tower houses he and Arnold Landon are reviewing. Arnold is left trying to puzzle out Kevin’s skimpy notes. But the deeper he gets the more he fears for his missing coworker.

St Michael’s Church may be derelict but it’s not deserted. Someone still comes here to worship on nights when the moon is full. Arnold Landon should know. He’s seen the grisly evidence for himself. Blood among the roses. The butchered remains of a man, tangled in the undergrowth. The victim was a traveler. How did he come to be in the churchyard? Arnold has a theory that leads back centuries, all the way to the cult of the Raging Wolf. Everyone tells him it’s impossible, that the cultists are dead and buried. But the devil wears many faces.