Resultado narrado por "Tanya Reynolds" em Todas as categorias

It starts with a late-night knock on the door. Dee, Liv and Rosa share a flat in south London, while Katie, the fourth member of their friendship group, lives close by with her long-term boyfriend. But, when Katie’s nine-year relationship ends – suddenly and brutally – she turns up on their doorstep with no idea where she’ll live, what to do next or how to do anything after spending so long with her life entwined with someone else’s.

The year is 1920. The place is a remote farmhouse in Provence, home to the reclusive painter Edouard Tartuffe and his niece, Ettie. Into this strange, silent house walks Joseph: a young journalist hoping to write an article about Tartuffe. But the more he entangles himself in the peculiar household, the more Joseph's curiosity grows . . .

Willow is having quite the year. One moment she’s climbing the ladder of life achievements – the boyfriend, the grown-up house, the steady career – the next it’s 4pm and she’s swaddled in her duvet, wondering what went wrong. Blinking into the light of a day that looks completely unfamiliar, and alienated from her friends who are busy ‘moving forwards’, Willow has never felt more alone. But she’s in good company. Because when inspiration arrives from an unlikely source, Willow starts to rekindle a relationship she’s long neglected: the one with herself.

In Jake, Marisa has found everything she’s ever wanted. Then their new lodger, Kate, arrives. Something about Kate isn’t right. Is it the way she looks at Marisa’s boyfriend? Sits too close on the sofa? Constantly asks about the baby they are trying for? Or is it all just in Marisa’s head? After all, that’s what her Jake keeps telling her, and she trusts him - doesn’t she? But Marisa knows something is wrong. That the woman sleeping in their house will stop at nothing to get what she wants. Marisa just doesn’t know why.

Alex is a rebel from the tip of her purple fauxhawk to the toes of her biker boots. She's tried everything she can to get expelled from her strict Catholic boarding school. Now, Alex has a new plan. Tired of the sexism she sees in every corner of St Mary's, Alex decides to stage the school's first ever production of The Vagina Monologues. Which is a challenge, as no one else at St Mary's can even bear to say the word vagina out loud....

Beautiful, clever, rich and single, Emma Woodhouse is perfectly content with her life and sees no need for either love or marriage. Nothing, however, delights her more than interfering in the romantic lives of others. But when she ignores the warnings of her good friend Mr Knightley and attempts to arrange a suitable match for her protégé Harriet Smith, her carefully laid plans soon unravel and have consequences that she never expected.

Marisa and Jake are a perfect couple. And Kate, their new lodger, is the perfect roommate—and not just because her rent payments will give them the income they need to start trying for the baby of their dreams. Except—no one is truly perfect. Sure, Kate doesn’t seem to care much about personal boundaries and can occasionally seem overly familiar with Jake. But Marisa doesn’t let it concern her, knowing that soon Kate will be gone, and it will just be her, Jake, and their future baby.

Nell Cardross and her husband are madly in love. But they're very bad at showing it. While Nell believes her new husband, the Earl, married her out of convenience, Giles Cardross worries that his young wife is more interested in his money than his heart. And Nell's secretive and extravagant spending is becoming a problem. As she attempts to pay off her brother's never-ending gambling debts and prevent the Earl's half-sister from eloping with a potentially ruinous match, will Nell's heart of gold lead her - and her marriage - into trouble?

In Given's debut novel, we follow Eartha on a wild, weird and seductive modern-day exploration as she commences life as an openly bisexual woman whilst also becoming a viral sensation on Wonder Land, a social media app where people project their dream selves online. But as her online self and her offline self become more and more distanced, trauma from her past comes back to haunt and destroy her present. Eartha must make a choice: which version of herself should she kill off?