Resultado narrado por "Wesley French" em Todas as categorias

It's midsummer in British Columbia, and it's hot. Murderously hot, as RCMP Staff Sergeant Karl Alberg finds when his day at the beach with his ex is cut short by the discovery of a fresh corpse. And back in Sechelt, a nuisance call from an eccentric redneck swiftly leads Alberg into a psychological Gordian knot and a second crime a decade old.

Four times in his 10-year search for the perfect woman, Gordon Murphy has been wrong. Now, he's set his sights on Cassandra Mitchell—despite the fact that she's living happily with Staff Sergeant Karl Alberg of the RCMP. Murphy is educated, attractive, wealthy—and a killer.

He comes to fix your photocopier, but really, Fred’s an inventor. At night, he goes to work. He has goals, ambitions, and when offered the task of building a better electric chair, he jumps at the chance. People have to die—he believes in the occasional necessity of evil—but what if we could kill them more humanely? A death specialist, first in his field but forever under-appreciated, he’s charmed when a new generation of fascists come calling for his expertise. A Holocaust denier is on trial in Toronto—could Fred prove the gas chambers never existed?

In the 1930s, Chief William Berens shared with anthropologist A. Irving Hallowell a remarkable history of his life, as well as many personal and dream experiences that held special significance for him. Most of this material has never been published. Because the elderly chief wanted his visitor to understand the Ojibwe world, and because Hallowell was deeply interested in his subject matter and was such a good listener, Berens freely related his dreams and other stories about encounters with powerful beings.

This book takes its title from the phrase for “I work” in Lunaape, the traditional language of Munsee Delaware people, and was inspired by the work of the Munsee Delaware Language and History Group. Written for the descendants and communities of children who attended Mount Elgin and intended as a resource for all Canadians, Nii Ndahlohke tells the story of student life at Mount Elgin Industrial School between 1890 and 1915.

In 1872, dinosaur hunters become embroiled in a battle over the discovery of fossils in Northern Ontario as their excavation crews are driven mad by a bizarre and terrifying illness. Over a hundred years later, Church and his family show signs of the same monstrous affliction. As he begins to unravel his family’s dark history, Church must race to protect the secrets buried deep in bones and blood.

Structures of Indifference examines an Indigenous life and death in a Canadian city and what it reveals about the ongoing history of colonialism. At the heart of this story is a 34-hour period in September 2008. During that day and half, Brian Sinclair, a middle-aged, non-Status Anishinaabeg resident of Manitoba's capital city, arrived in the emergency room of the Health Sciences Centre, Winnipeg's major downtown hospital, was left untreated and unattended to, and ultimately died from an easily treatable infection.

Four chronically homeless people - Amelia One Sky, Timber, Double Dick and Digger - seek refuge in a warm movie theater when a severe Arctic front descends on the city. During what is supposed to be a one-time event, this temporary refuge transfixes them. They fall in love with this new world and, once the weather clears, continue their trips to the cinema. On one of these outings they meet Granite, a jaded and lonely journalist who has turned his back on writing “the same story over and over again” in favor of the escapist qualities of film, and an unlikely friendship is struck.

Elmore Trent is a professor of Indigenous studies who finds himself entangled in an affair that's ruining his marriage; Paul North plays in the IHL (Indigenous Hockey League), struggling to keep up with the game that's passing him by; Detective Ruby Birch is chasing a string of gruesome murders, with clues that conspicuously lead her to both Elmore and Paul. And then there's Fabiola Halan, former journalist-turned-author and famed survivor of a plane crash that sparked a nationwide tour promoting her book.

Carter is a young mother, recently separated. She is curious, angry, and on a quest to find out what the heritage she only learned of in her teens truly means. Allie, Carter's mother, is trying to make up for the lost years with her first born, and to protect Carter from the hurt she herself suffered from her own mother. Lucie wants the granddaughter she's never met to help her join her ancestors in the Afterlife. And Geneviève is determined to conquer her demons before the fire inside burns her up, wih the thelp of the sister she lost but has never been without.

For over 100 years, thousands of Aboriginal children passed through the Canadian residential school system. Begun in the 1870s, it was intended, in the words of government officials, to bring these children into the “circle of civilization,” the results, however, were far different. More often, the schools provided an inferior education in an atmosphere of neglect, disease, and often abuse. Using previously unreleased government documents, historian John S. Milloy provides a full picture of the history and reality of the residential school system.

In 1859, in a small town jail, deep in the forests of Canada, an elderly woman sits behind bars. She came to Dunmore via the Underground Railroad to escape enslavement, but an American bounty hunter tracked her down. Now she's in jail for killing him. Lensinda Martin, a smart young reporter, wants to tell the woman's version of events, hoping that it will lead to her acquittal, but the woman will only tell her story on one condition: she gets one from Lensinda in return. As the women swap stories, it becomes apparent that their histories are interconnected.

Young Lensinda Martin is a protegee of a crusading Black journalist in mid-18th century southwestern Ontario, finding a home in a community founded by refugees from the slave-owning states of the American south—whose agents do not always stay on their side of the border. One night, a neighbouring farmer summons Lensinda after a slave hunter is shot dead on his land by an old woman recently arrived via the Underground Railroad. When the old woman, whose name is Cash, refuses to flee before the authorities arrive, the farmer urges Lensinda to gather testimony from her before Cash is condemned.

The fates of two unforgettable women—one just beginning a journey of reckoning and self-discovery and the other completing her life's last vital act—intertwine in this sweeping, deeply researched debut set in the Black communities of Ontario that were the last stop on the Underground Railroad. In the Upper Country weaves together unlikely stories of love, survival, and familial upheaval that map the interconnected history of the peoples of North America in an entirely new and resonant way.