Resultado para "Julia Phillips" em Todas as categorias

Sir Phillip si aspettava che Eloise Bridgerton, come tutte le zitelle, fosse bruttina e pronta a tutto pur di accasarsi. Ma si sbagliava. La giovane donna che gli si presenta è determinata e soprattutto bellissima. È lei però ad avere qualche dubbio, soprattutto quando scopre che Sir Phillip non è affatto un gentiluomo, e per di più ha due figli pestiferi che avrebbero proprio bisogno di una madre.

Eloise Bridgerton é uma jovem simpática e extrovertida, cuja forma preferida de comunicação sempre foram as cartas, nas quais sua personalidade se torna ainda mais cativante. Quando uma prima distante morre, ela decide escrever para o viúvo e oferecer as condolências. Ao ser surpreendido por um gesto tão amável vindo de uma desconhecida, Sir Phillip resolve retribuir a atenção e responder. Assim, os dois começam uma instigante troca de correspondências.

Una apacible tarde de agosto, Aliona y Sofia, hermanas de once y ocho años, juegan a orillas del mar. Cuando emprenden el camino de regreso a casa, un extraño se ofrece a llevarlas en su coche. Ellas, confiadas ante la amabilidad del desconocido, aceptan. Las niñas solo se alarman al ver que dejan atrás el desvío que debían haber tomado. Cuando Aliona saca su móvil y el hombre se lo arrebata de las manos, las hermanas comprenden que están en peligro. La pesadilla acaba de comenzar.

James Tiptree, Jr. burst onto the science fiction scene in the 1970s with a series of hard-edged, provocative short stories. Hailed as a brilliant masculine writer with a deep sympathy for his female characters, he penned such classics as Houston, Houston, Do You Read? and The Women Men Don't See. For years he corresponded with Philip K. Dick, Harlan Ellison, Ursula Le Guin. No one knew his true identity. Then the cover was blown on his alter ego: A 61-year-old woman named Alice Sheldon.

One August afternoon, on the shoreline of the Kamchatka peninsula at the northeastern edge of Russia, two girls - sisters, eight and 11 - go missing. In the ensuing weeks, then months, the police investigation turns up nothing. Echoes of the disappearance reverberate across a tightly woven community, with the fear and loss felt most deeply among its women. Taking us through a year in Kamchatka, Disappearing Earth enters with astonishing emotional acuity the worlds of a cast of richly drawn characters, all connected by the crime: a witness, a neighbor, a detective, a mother.

An einem sonnigen Augusttag verschwinden an der Küste Kamtschatkas die Schwestern Sofija und Aljona spurlos. War es ein Badeunfall oder sind sie Opfer eines Verbrechens geworden? Wie eine düstere Wolke hängt der ungelöste Fall fortan über Kamtschatka und beeinflusst das Leben der unterschiedlichsten Frauen in einer gespaltenen, männerdominierten Gesellschaft.

Auf einer Insel im Nordwesten der USA lebt Sam mit ihrer Schwester Elena und der schwerkranken Mutter in ärmlichen Verhältnissen. Sam arbeitet auf der Fähre, die die wohlhabenden Urlauberinnen und Urlauber zu ihren Feriendomizilen bringt, während Elena im Golfclub kellnert. Sie beide träumen von einem besseren Leben, davon, woanders neu anzufangen. Dann, eines Nachts, erblickt Sam einen Bären, der durch die dunklen Gewässer vor der Küste schwimmt. Noch kann sie nicht ahnen, dass das wilde Tier die Welt der beiden Schwestern völlig aus den Angeln heben und ihren lang gehegten Traum in Gefahr bringen wird.

What does it mean to create, not in "a room of one's own," but in a domestic space? Do children and genius rule each other out? In The Baby on the Fire Escape, Julie Phillips traverses the shifting terrain where motherhood and creativity converge. With fierce empathy and vivid prose, Phillips evokes the intimate struggles of brilliant artists and writers, including Doris Lessing, Ursula K. Le Guin, Audre Lorde, and Alice Neel. A meditation on maternal identity and artistic greatness, Phillips illuminates some of the most pressing conflicts in contemporary women's lives.

Sam and Elena dream of another life. On the island off the coast of Washington where they were born and raised, they and their mother struggle to survive. Sam works on the ferry that delivers wealthy mainlanders to their vacation homes while Elena bartends at the local golf club, but even together they can’t earn enough to get by, stirring their frustration about the limits that shape their existence.

For over 12 years, Phillipa Sage worked alongside Clarkson, Hammond and May as their PA, gofer and fixer, where she saw the boys at their best and, hilariously, at their worst. A closet petrol head, Phillipa started working in the motor industry on live events over 20 years ago and first worked with Jeremy Clarkson and Andy Wilman (formerly Top Gear and now the Grand Tour’s executive producer) in 1997.

No Harm Done contains three ensemble performances of plays by Eugene Stickland about medical conditions ­- Closer and Closer Apart, Alzheimer's disease; Fade to Light, Stargardt, a form of blindness; and The Last Dance, Parkinson's disease. The first section of the audiobook contains the plays themselves and Stickland’s introductions to them, supplemented by commentaries by medical experts and spokespersons.

Two worlds at war will bring them together…or tear them apart. Everson didn't want to be a soldier. His parents forced him to serve, as all good Indiran men should. The only problem? His first battle against their mortal enemies goes horribly wrong, and he winds up stranded on the enemy planet. Now, Everson has to survive in this strange new land where everyone is out to get him. Not to mention the planet Mano is covered in unforgiving desert. And he's the target of traitors who want to use him in a dastardly plot to overthrow their mad king, Xander the Firm.

Fleur Savagar is the most beautiful woman in the world . . . to everyone but herself. With her oversized hands and paddle-boat feet, her streaky blond hair and funny green eyes, she lives a life filled with secrets that began before she was born. That was when her bewitching mother left home to find James Dean and met Errol Flynn instead. Now Fleur has to grow up quickly, and life won't make that easy.

Georgie York, once the costar of America's favorite television sitcom, has been publicly abandoned by her famous husband, her film career has tanked, her father is driving her crazy, and her public image as a spunky heroine is taking a serious beating. What should a down-on-her-luck actress do?

In 21st century Britain, what does it mean to be working class? This book asks 24 working class writers to examine the issue as it relates to them. Examining representation, literature, sexuality, gender, art, employment, poverty, childhood, culture and politics, this book is a broad and firsthand account of what it means to be drawn from the bottom of Britain's archaic but persistent class structure.

This audiobook is narrated by Julie Maisey and Fiona's husband, Martin Frizell. 'I hope this book can show people a little about what it is like to live with Alzheimer’s. How frightening and confusing it is. But also how much life can still bring joy and be valued.' Much-loved broadcaster...

This audio study guide for Disappearing Earth by Julia Phillips includes detailed summary and analysis of each chapter and an in-depth exploration of the book’s multiple symbols, motifs, and themes, such as nostalgia for an idealized past and hope in the face of loss. Featured content also includes commentary on major characters, 25 important quotes, essay questions, and discussion topics.

Paparazzi trap the president’s all-American boy with the self-proclaimed prince of Myrtle Beach - and Ben’s forced into a fake relationship with Wilder Ryder in this opposites attract gay comedy...Ben Quincy: I thought he'd make a good quickie, but we got caught. Then the stupid twink barfed on me at the top of the Ferris wheel - in the middle of a national broadcast. He's sexy as sin, but I’m saddled with a go-kart riding minigolf champ all summer long. The only good part is the hate sex. Someone save me from Wilder Ryder before something awful happens. Like more snakes.

No one wants to be treated like an object, regarded as an item of property, or put up for sale. Yet many people frame personal autonomy in terms of self-ownership, representing themselves as property owners with the right to do as they wish with their bodies. Others do not use the language of property, but are similarly insistent on the rights of free individuals to decide for themselves whether to engage in commercial transactions for sex, reproduction, or organ sales. Drawing on analyses of rape, surrogacy, and markets in human organs, Our Bodies, Whose Property? challenges notions of freedom based on ownership of our bodies.

Gary Thorn is struggling with a big decision. Should he stay in London, wallowing in the safety of his legal job in Peckham and eating pies with his next door neighbour, Grace and her dog Lassoo, or should he move to Brighton, where his girlfriend Emily is about to open The Hotel Avocado? Either way, he’d be letting someone down. But sinister forces are gathering in a cloud of launderette scented-vape smoke, and the arrival of the mysterious Mr Sequence puts Gary in an even worse predicament: soon he might be dead.