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When you have a great opportunity or face a challenging threat, Create the Future (CTF) gives you the tools you and your leadership team will use for making critical decisions without a hefty price tag. Rick Williams has been a management consultant, company founder, and CEO. He has worked with large international companies, nonprofits, early-stage growth companies, and large government agencies. Drawing on his broad expertise and first-hand observations of top executives in action, Create the Future is the essential guidebook for leaders when they must make difficult decisions.

Lucky Luke erbt eine Baumwollplantage! Constance Pinkwater, eine der reichsten Personen des Landes, hatte zu ihren Lebzeiten Lukes Heldentaten bewundert und hinterlässt ihm nun ihre gesamten Ländereien in Louisiana. Luke, der nicht im Traum daran denkt, sein Leben als Cowboy aufzugeben, reitet in den Süden, um die Plantage den schwarzen Arbeitern zu überschreiben. Doch mit diesem Plan ist er den anderen Plantagenbesitzern ein Dorn im Auge. Sie, die ihre Arbeiter immer noch wie Sklaven behandeln, wollen an unserem Helden ein Exempel statuieren.

Sure, men fight for their beliefs, their country, and their ways of life. And often times the battles are hard fought and devastating. But more often than not, the outcome is decided by who has the better gear.

Join the adventure through dystopian worlds, to outer planets and into a speculative future. Welcome to the Future Days Anthology. Seventeen authors imagine a future with thrilling tales, starships, unlikely heroes, and exotic aliens, all of which combine to make Future Days a must-listen sci-fi fantasy short story collection.

A collection of sermons and speeches that lay out a groundbreaking vision for intersectional organizing, paired with inspirational and practical essays from activists in today’s Poor People’s Campaign The Rev. Dr. William J. Barber II has been called “the closest person we have to Martin...

Marsden Hartley (1877-1943) was proud to call himself an American artist, but he dreamed of travel to Europe, believing that he would learn more there than in his home state of Maine, or even in New York. His rise to prominence as a specifically American modernist was based largely on the visual influences that he encountered in 1912-15 in the vibrant cities of Paris, Berlin, and Munich, which he then synthesized through a New England perspective.